Sustainability in photography.

In this article, I'd like to delve into a thought that has been lingering in my mind for quite some time – the sustainability of analog photography and the curious absence of discussions around its environmental impact. While I enjoy shooting on film and appreciate the beautiful film grain and aesthetics, I can't overlook the significant waste generated by the process. From the single-use plastic film rolls to the chemicals involved in development, it raises concerns about the ecological footprint of analog photography.

Interestingly, despite shooting on film, I often end up with digital images as I scan the negatives. This realization has led me to ponder whether there might be a more sustainable approach without compromising on the essence of monochrome black and white photography. One option I've considered is the Leica M Monochrom, a niche camera known for its exceptional black and white capabilities. With its unique CCD sensor and lack of color options, it emulates the limitations of shooting on analog black and white film while offering digital convenience. However, it's not just about the Leica M Monochrom; it's about questioning whether analog photography necessarily requires an analog camera and film.

Could it be more about perception, experience, and the art of photography rather than the specific medium or device used?

Interestingly, when using both my Leica M6 and Leica M10, I find little difference in the shooting experience. Despite the digital sensor in the M10, it still feels like analog photography to me. It has me contemplating whether my connection to the art lies more in my approach to photography rather than the tools I use. Surprisingly, discussions about the environmental impact of analog photography seem rare within the photography community. I don't intend to criticize anyone for choosing analog photography; it's a personal choice with its own merits.

Yet, as I continue to explore these thoughts, I wonder if embracing a digital alternative for my “moenochrom photography” might be a more sustainable option – both for me and the environment. From my experience, clients haven't noticed a significant difference between my analog and digital work: a Leica simply looks like a Leica to them.

In conclusion, I believe it's essential to address the environmental impact of our artistic pursuits and consider how we can make mindful choices without compromising the essence of our art. The journey towards sustainable photography might lead us to creative solutions that benefit both our artistic expression and the planet.